By Burton Richardson
www.jkdunlimited.com
One of the basic premises of Bruce
Lee's philosophy of martial arts is to constantly search
for new tactics, techniques, and training methods that
will make the practitioner more efficient in a fighting
situation. One of Lee's mottoes was to "Absorb what is
useful, reject what is useless, and add what is
specifically your own." This is a great guideline for
anyone who wants to improve in any area of life, be it
martial arts or neuro-surgery. But, as always, there are
pitfalls that we must avoid when we apply any strategy,
however simple it may seem.
Absorb what is useful. That phrase
has caused a major rift between the two camps of JKD
enthusiasts, namely the infamous "original vs. concepts"
debate. The key element here is the word "useful". If
you are to add to your repertoire, you should be adding
those things that will actually be of use to you in a
combative situation. Some people seem to think that
Bruce Lee, or any founder of a martial arts style, had
it perfect. There is nothing to add to a perfect system,
so no need to do research or to absorb anything new.
Bruce Lee wrote extensively about the fact that
everything evolves, and that everything can be improved
including his method of martial arts. This is why it
changed from year to year as he progressed, so it should
obviously continue to progress as time goes on. If it
isn't growing in some way, it must be dead. Those who
agree with the notion of constant growth sometimes
forget that word "useful". Often people will add
arbitrarily to their personal expression of JKD without
distinguishing between the functional and the fantastic.
Some instructors may do this purposely to give each
student the freedom to choose between the stage art and
the fighting art, but many just accumulate blindly. I
should know, because I did this for many years.
I got caught in the "more is
better" mentality. Even worse, I was simultaneously in
the grips of "the more complicated and impressive the
better" type of thinking. I would research very
diligently, studying with anyone I could. I was always
looking for different ways to do things, especially if
it was more intricate and involved. I would then break
these things down and teach them at my school and on
seminars. Most people enjoyed the training, and
everything seemed to be going well, but something was
not quite right. I was noticing that what I taught in
class and what I used in sparring were two different
things. If I trained a student or myself for a
competition, the approach was totally different than the
teaching methods I used in class or seminars. It was as
though there were two totally different arts. One was
for the traditional and cultural aspect of the martial
arts style, while the other consisted of techniques that
worked in the sparring sessions. This approach didn't
jive well with the idea of using what works, so I
decided that I had to change. It was a gradual process,
I had the help and support of some of my friends and
instructors, and I eventually got back to the "using
what works" principle.
If we are to use what works, and we
understand that there are always ways to improve your
performance, we must embrace the concept of absorbing.
To be able to "absorb", one must have resources to draw
from. This is why each JKD practitioner should be
learning from multiple sources. Constantly researching
from different fighting disciplines will give new ideas
that can improve our efficiency. It is also important to
train with different instructors from the same art. I
have worked with close to twenty Brazilian Jiu-Jitsu
black belts, and each one has a unique approach. Certain
principles may remain the same, but the application of
techniques and the training methods tend to vary with
the instructor. This shortcuts the training time, as
many more facets of the art are revealed. The same holds
true for boxing, Thai boxing, wrestling, or stick
fighting. Exposure to more experienced coaches will
enhance the student's ability to perform, and that what
the training is all about!
Now that we are training with an
open mind from various instructors, how do we know what
is useful and what is useless? Some martial artists will
look at a technique and then compare it to what was
taught in their primary style. If it matches up well,
then it is good. If it is unfamiliar, or goes against
one of the dogmas of the primary style, it is declared
to be useless and is sent to the recycle bin. We should
keep an open mind, but testing the techniques and
strategies for yourself is the only way that you will
ever develop real self-confidence. If I know my
instructor has performed a move in a fight, then I will
have confidence that the technique works. The problem is
that deep down inside I don't know if I have the timing
or sensitivity to pull it off myself. If I get into a
fight, my teacher is not going to step in and take my
place. I have to fend for myself, so the only way that I
will be able to have confidence is to earn it through
sparring. When I have made some technique work a number
of times against aggressive, resisting opponents who are
trained in the fighting arts, I have confidence that I
can do the same technique against a street fighter who
is aggressive, but may not be very well-rounded. Because
I have researched well, then practiced well, I have
earned the right to be confident.
What if I try a technique in
sparring and can never get it to work? Does that mean
that it is not a good technique? Not necessarily. The
problem can lie in a few different places. Maybe I am
not doing to the technique correctly. I may be
attempting a controlling procedure without attention to
detail. It is often the small details that make the
difference between a success and failure. I might know
how to do the technique correctly, but I don't have
enough experience in a "live" situation to execute the
move with proper timing. What if I am scared, or
anxious? If I can't control my emotions, I will not be
able to fight efficiently. Maybe my opponent is better
than I am. If my opponent's defense in a particular area
is better than my offense, my technique is not going to
work. The great thing is that each of the above
situations can be overcome through proper practice over
time. The scenario that we are constantly looking out
for is where a particular technique doesn't work when
everything is in my favor.
There are techniques that will
rarely work in a real situation. If I try a technique in
sparring for a long period of time and can never get it
to work, there is a problem. If I am doing the move
correctly, with proper details, I have good timing, and
am in control of my emotions, I have to start looking at
the validity of the technique. I have to start wondering
if anyone has ever pulled off the technique in a
realistic situation. This is where we need to start
rejecting or modifying the move. We don't have time to
practice everything, so we must be discerning martial
artists if we want to be our best.